A food delivery rider's life is turned upside down, as personal obligations clash with professional responsibilities.

A food delivery rider's life is turned upside down, as personal obligations clash with professional responsibilities.

The Cyclist

Estranged siblings Elizabeth and Danny reunite in their childhood home after the death of their eccentric mother. Without a will or any instructions, old wounds are quickly reopened and disagreements abound. A Ouija board may be the only way for “Mom” to provide the guidance they both desperately seek.


Estranged siblings Elizabeth and Danny reunite in their childhood home after the death of their eccentric mother. Without a will or any instructions, old wounds are quickly reopened and disagreements abound. A Ouija board may be the only way for “Mom” to provide the guidance they both desperately seek.

Ashes to Dust

A man goes in search of his dreams, but is caught between homesickness and attachment to his new home.

Bittersweet Home

Amy sees a grief counsellor, but the Zoom session takes an unexpected turn.

Amy sees a grief counsellor, but the Zoom session takes an unexpected turn.

The Goat

Che-Ning watches A-Hu and his mother quarreling in the night market, but is attracted by a peculiar sound. He runs to play with La-A, and the luminescent shoes mark with time were captured in the dark night. This reveals a melancholy beauty that A-Hu has glimpsed in the corner of his eye.


Taiwan Film Direactor:I can’t explain why I want to pursue film, I just like it. Don’t just wait and hope for good luck to land, but put down roots. Fun fact:In order to become the character in the play, He cut more than 200 pineapples in training
True Story:Che-ning is the daughter of a photographer. Recording her daughter without any distance before twilight.&nbsp;

Dimming

This project is about a young girl, Sadie who has a passion for art and likes to vlog the process of her artwork. while doing her vlogs her peers are school make fun of her artwork and put her down. due to this she slowly loses her passion for art.

Sunny Blues 

Ho Man Ho grew up with his father telling tales of their ancestor Ho Man and his great treasures, and has always believed that the land Ho Man Tin was acquired by Ho Man who resides there.  Since young, Ho Man Ho has explored the area, looking for the legendary treasures.  After his father passed, Ho Man Ho moved away to pursue his career.  Having all grown up, he happened to pass by Ho Man Tin again, revisiting his childhood memories…

Director Statement:
“HoManHo in HoManTin” was shot in Ho Man Tin, an ordinary Hong Kong residential area with deep personal significance as my birthplace and childhood home.
This short film was shot entirely with a mobile phone, taking the audience along for treasure hunt in a candid, spontaneous way; the stripping down of techniques remind us of our humble beginnings. The coming of age leads us all into a maze where we feel lost, and this film aims to recall that limitless imagination for possibilities from our childhood.  Born and bred into this city’s heartbeat, let us find the direction of our hearts.
I filmed this film to express my gratitude to my hometown, and to record it during this time of change in Hong Kong. I wanted to capture Ho Man Tin from both a child’s imaginative perspective, as well as through the nostalgic lens of an adult. This place will always hold dreams and passion for me despite transformations.

HoManHo in HoManTin

	A ride-hailing driver, facing a series of misfortunes, buys a fish to release in hopes of changing his luck. However, he discovers that he can understand the fish's speech. At the fish's request, he postpones his release plans. Meanwhile, memories of a childhood chemical factory persistently resurface in his mind.


I aim to tell a lighthearted and amusing story that brings warmth while subtly revealing the inescapable loneliness present in contemporary society.
The film alternates between three types of visual materials: the flickering light and shadows of diary films, the narrative told through black-and-white images, and the raw, unedited footage. These elements interact in unique ways, creating a special dynamic.
I also want to capture fragments of the times within the narrative. In this era, the smartphone has become the most widely used tool for capturing images, serving as a testament to the time itself. Thus, I chose to use it as my filming tool.

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